Exploring how self-governing filmmakers, musicians and artists are exploited and defrauded by websites, including eztakes.com and jaman.com (with Bibliography). Sept/2008. IntroductionAny free-living artist, filmmaker and musician knows the challengesand hurdles of fussting their subject prison-breaking to the public, while at thesame time trying to make some(prenominal) money, or at least break-even to covertheir costs. An indep culminationent film back end take anywhere from one to four(or more) years to conceive, the last task, then, is to go up properdistribution. There are several websites online that (apparently) fillthis need and cater to ? generally young ? independent artists,filmmakers and musicians. In conjunction with Princeton School of Media Studies the hobbyhorse isa study investigating these so-called ?opportunities? on the profitsand assess the gruelling implications. This three-year study was conductedbetween the years 2005-2008 and followed the pat h of over 500independent artists, from over 20 countries, using several websitesunder investigation. This abbreviated study followed the independent artists and theirdealings with the cyberspace platforms in all aspects (communication,signing-up, legal aspects, royalty awards, marketing and salesactivity). The atomic number 23 selected websites under scrutiny were B-side,Filmbaby, Eztakes, Lulu and Jaman. As will be seen, several of thesewebsites are, not only failing to properly deal the needs ofindependent content creators, but actively deceive, manipulate,defraud and cheat these notional people. B-side(http://www.bside.
com)According to its own mission statement! B-Side is ?an entertainmenttechnology play along that captures audience opinions to control greatfilms and deliver them to viewers around the world.? (1) 95participants had submitted their content to B-Side, and after 20 wererejected, 75 were observed for 18 months. right-hand(a) from the outset the biggest paradox independents faced withB-Side was exactly what they had hoped for: proper contentdistribution. Since B-Side confessedly discovers films through audiencefeedback from its residential area of hundreds of film festival websites, thefocus, background and outlook for independent artists is prefixed andinhibited. As Hill maintains: ?Viewer... If you want to get a full essay, holy order it on our website:
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